Ai Weiwei talking:
I was born in 1957. That’s the year my father was purged as a so-called rightist. he’s the same generation, maybe younger than Mao Zedong. And they all spent time in—before the new nation established. So he belongs to this early revolutionary group. And he was a poet. He studied in Paris. And right after he came back to China, he was being put in jail for six years. Then, later, he joined the revolution. After the ’49, he was criticized. And with about half-million of the intellectuals in China, they’re being all put in the labor camps to—called re-education. So I grew up in these camps. During the Cultural Revolution, he really has to do very hard labors, insulted, beaten. in the northwest, in the Gobi Desert, very far, farrest location you can get on the Chinese map.
As a child, you have no way to think otherwise, because everybody is in an extremely difficult situation. You think it’s like you’re standing in the rain, everywhere is under the rain. You know, it’s not—there’s no exception. So, he spent about 20 years, but cannot write words, you know, doing a lot of—to clean the public toilet. And he often been beaten and, you know, very—and sometimes he comes home with all the ink poured from—his head, you know, has become totally black, and going through a lot of this kind of insulting.
They poured ink over his head. It’s just there’s a lot of meetings. The meetings, he have to stand in front of other people, and they would say all kinds of bad words about him. And he has to confess his crime, which he never committed any crime.
My mother, she also have to struggle. She has to try to find something to feed the children. And, you know, we’re living underground. You know, it’s like a hole. You’re digging down. And, you know, it’s just the whole family living underground.
One day, I—my father had a huge collection of books, art books about impressionists, about Renaissance and even medieval artworks. You know, because the Red Guard always come to my home, have to check on those books, every page, page by page, they would—if they found anything like nudity or abstract art, they would really start to really question my father. And, you know, it’s humiliating him. So, one day, my father said, “We have to burn all those books, because those books attract so many people to come to our home.” So I helped him to burn those books, page by page, because it’s—and a lot of poetry books. You know, he’s a literary man, has a huge collection of books. So we burned it, everything. soon after, we were sent to the labor camp.
I stayed ’til I was 18 or 19. Then, after Chairman Mao’s death, he has been—how do you call it?—rehabitized.Rehabilitated. So we moved to Beijing. at that time, the universities started to open again, after 10 years shut down. I went into Beijing Film Institute.
that time is the first time trying to have a wall we called the Democracy Wall. So we put our artworks, our writings, our poetry on that wall. And very soon after, the wall being torn down. And the people who got involved, some of them being put in jail. So that’s a reason I decided I have to leave China.
You think China, just after Cultural Revolution, and everybody has to think about the lessons they’ve paid for this kind of harsh political movement. Then some younger people started thinking how to make the nation or change it or to protect it from this kind of political event. Then, immediately, Deng Xiaoping crashed the students and, you know, the people who were trying to make China more progressive.
I had a chance, so I left. I come to United States. I stayed in New York about 10 years. I stayed Lower East Side and Brooklyn. And the most time, Lower East Side, Third Street between A and B.
befriended Allen Ginsberg. He was in the neighborhood. And he went to China at that time. And after he came back, he had a poetry reading in Saint Mark’s Church. So I was listening to his reading, and he talked about China trip. He said he had met a poet. So, I figured out that’s my father, because the story he’s telling. So when he comes down, I said, “You just met my father.” So, he was very surprised. Then we become friends.
at the time I moved out of China, I was telling my mom, “I will never go back.” You know, I told her—you know, my mom was very worried when she sent me to the airport, because this child has no money and no—bad English. I told her, “Don’t worry. I’m going home.” So, she’s kind of sad. She knows I will never come back to China. But after 12 years, I decided to go back, because my father was ill.
By 1993, I went back. China had some change. You know, people become better off. You know, there’s roads been fixed and some tall buildings in the city. But, basically, it never changed the political structure, so there’s no freedom of speech, no independent press. You know, it’s very—it’s still very harsh on any kind of ideas or discussion.
So I come up an idea to publish some underground books to document Chinese art movement. So, every year, we made a book. And the book has no title, just black cover, grey cover or white cover, in protesting the censorship. And those books document the underground movement of art at that time, because there’s simply not any newspaper or magazines who will talk about contemporary art. Then I opened the first art gallery in China—it’s a nonprofit place—to show undergroundly about Chinese art. Then, by 2000, year 2000, I made a—I curated an art show. The title is [bleep] Off. It’s about—also about contemporary young artists’ work.
And yeah, but at that time I was involved in architecture. And I did a lot of architecture projects, about 60 projects, ’til finally I got involved with the National Stadium for Olympics. We call it a Bird’s Nest. And after that, I quit the architecture.
And by 2005, I had a chance to learn how to use the internet and started typing and writing articles. Suddenly, I become very, very popular on the internet, because I would write three, four articles a day. And the next day, I would see a few hundred thousand articles—reposts. So I thought, “This is a really beautiful thing you can do.” And with—this nation has no tradition of freedom of speech. And people basically are very scared about their writing, but I openly discussed politics or anything, you know, with my own independent view or opinion. So I got so—I was so popular, you know, for a very short time.
Then I got involved with the Sichuan earthquake citizens’ investigation.
The Sichuan earthquake, 2008.
trying to find these 5,000 students who was vanished during this earthquake. And, of course, that’s related to government corruption and badly built buildings. So a lot of other effort and argument about a lot of judicial cases, because that’s a big problem in China. So, all those brought the government to have—well, I will say they dislike me.
– the installation you made called So Sorry from 2009
once I get totally involved in this kind of life, a real situation, I often want to find a language to express it in the art context. So, in that time, I do have art shows, and so I always build a work relating to my research or my findings. And the show in Munich, and also in Brooklyn, you can see some works are really relating to Sichuan earthquake.
I redesigned the backpacks. needed a lot. This is 9,000 backpacks. wrote out the words of the mother.
Yang Xiaowan is the girl who got killed, and her mom, very touched, is another person arguing the rights of those students, because, basically, China is silent about all those things. So I made a quite dramatic arguing, with about 60 articles I write about Sichuan earthquake.
the poor architecture and the poor building standards
we have a lot of investigations, materials on the site with it. So we have concrete proof, evidence, about how those buildings has been collapsed.
wrote out the words with the backpack, what the mother said, “She lived happily for seven years in this world.”
where she said, “I don’t want to get government pension. All I want is people to remember my daughter has been living happily for seven years.”
in 2009 I was trying to do a test as a witness for a fellow investigators who is going to be sentenced. So, I went to Sichuan, rested in a hotel. The next day, the court will open. And at midnight, a few dozen police just rush in. I think it’s about 3:00 in the morning. They broke in the door. And, you know, it’s in the dark. And we had some argument. I feel this punch right on my face. And then, after that—oh, they seized us in the hotel, so we couldn’t make appear in the court, ’til the court finished.
So, after that, I feel headache, so I—I had a show in Munich, so I have to travel to Munich. In Munich, I went to hospital. They found out I have a hemorrhage in my—you know, the bleedings in my brain. So, immediately, we had an operation. Then, if I don’t have this operation, they said I will be finished.
And yeah, and after that, the situation even getting worse. You know, police follows me all the time. And, of course, they try to intimidate me. But by 2011, I was kidnapped in the airport, been put a black hood over my face and taken to a secret location. And in that location, I was kind of jailed, but it’s like a military base, for 81 days. ‘Til now, nobody knows where this location is. And two soldiers would stand in front of me, you know, the kind of military soldiers, about 80 centimeters away. They would look at me like this and stand still and, you know, doesn’t make any kind of move, day and night, 24 hours a day. And even when I sleep or when I take a shower or go to toilets, they also have to stand right in front of me. And now, I’ve been going through about 50 interrogations. The crime they accused me is subversion of state power, so which is the biggest crime you can commit in China. And yeah, that’s what happened.
First, they told me I will be sentenced over 10 years because of my crime. And I could believe them, because compared to other people. There’s many people has been put in jail, also sentenced. I would be much more extreme condition than them. So, just one day, suddenly, they said, “Get out. You can leave.” Yes.
That moment, I don’t know any kind of support, because it’s totally sealed. You cannot get a lawyer. Your family doesn’t know where you are. And also, you cannot let any information out. It’s not possible. So I don’t know there’s a strong international outcry. Both of lawyers are currently in jail.
After I came out, many people questioned me on how—what it’s like being in that kind of condition. So, I found out language is very difficult to describe it, so I made an exact same situation in a sculpture, or installation. And every detail fits exactly like the reality.
nobody can photograph it. My phone was being taken away. And even police think I have some photos of the location, because they couldn’t believe I can make the situation so real. I told them, “You know, you’re dealing with an artist.” So I memorized all the details in the room.
you have a very active president. Each day it brings surprise to the media and to people, you know. His true relationship with China is very hard to say. He’s going to visit China very soon. And, you know, today’s politics, so many things are hidden. You never know what’s in his mind. And also you start to doubt what really United States policy or principle is.
in dealing with North Korea, or in dealing even just with Mexico, you know, the neighbor, the beautiful neighbor we have here. They would call them criminals or rapists.
it’s very hard to take this kind of response, to see if that’s a true thinking of this man, or does he really have a right judgment on the sense? So it’s very difficult to really make any kind of analyzing about him.
I think he has not only make U.S. look bad, but also [inaudible], you know, could bring some trouble to U.S. that would benefit China. You know, China has been—enjoyed the development after 9/11, you know, when this world talks about terrorists. And China had a long, peaceful development for quite—over 10-some years. So, yeah.
I think the situation is quite fragile. And if we talk about the danger, yes, there is a potential danger there.
____
Ai Weiwei
world-renowned Chinese artist and activist. In 2009, Ai Weiwei was arrested and beaten by Chinese police. In 2011, the Chinese government arrested and imprisoned him without charge for 81 days. Ai Weiwei has received numerous awards, including the 2015 Ambassador of Conscience Award from Amnesty International and the 2012 Václav Havel Prize for Creative Dissent from the Human Rights Foundation. He is now the Einstein visiting professor at the Berlin University of the Arts. He is the director and producer of the new documentary, Human Flow.
— source democracynow.org 2017-10-10